Ora,
2011
Experimental short fiction
A cell divides.
From this first mass of light, six incandescent bodies emerge
They evolve in a world that they illuminate with their inner light, leaving on their environment the traces of the fire that burns within. ORA is a danced allegory inspired by the Darwinian theory of evolution and the myths of Prometheus and Narcissus.

This second collaboration with choreographer-dancer José Navas, ORA is the very first film to use only biological light (the heat of the human body), a world technological first. Thanks to HD infrared thermal cameras configured in stereoscopic capture, the film features unprecedented imagery. The luminescent variations of human heat that are printed on the skin of the dancer’s bodies are reflected in a mirrored space that transforms and multiplies into infinite perspectives. This visual poem attempts to answer Paul Gauguin's haunting question "Where do we come from? What are we? Where are we going?
CH_FlecheSitePB
High-definition 2k video in stereoscopic thermography,
15 minutes
CH_FlecheSitePB
Artistic subject

Videos

Making of

Main collaborators

Research and scriptwriting
Philippe Baylaucq

Choreography
José Navas

Dancers
Lindsey Renée Derry
Sarah Fregeau
Alexandre Jolicoeur
François Richard
Lauren Semeschuk
Émilie Tremblay

Technical Direction
Pierre Plouffe

Cinematography
Sébastien Gros

Stereography
Francis Hanneman

Electro-optical Engineer
Santa Barbara Focalplane
Arn adams. Ph. D

Line Producer
Virginie Léger

2nd camera assistant
Matthew Garland

Key grip
Adam Lukens

Best boy
Justin Bennett

Artistic director
(dance set)
Gilles Aird

Script
Marie Beaulieu

Musicians
Annick Beauvais
Guillaume Bourque
Alexandre Castonguay
Jean Derome
Robert Ellis
Olivier Maranda
Ligia Paquin
Pierre Pépin
Jacques Séguin

Music editing
Nicolas Boroycki

Editing
Alain Baril

Post-production stereographers
Yannick Grandmont
Emmanuel Suquet

Sound design
Benoît Dame

Musical Score
Robert M. Lepage

Production Photographers
Pierre Plouffe
Philippe Baylaucq
Sébastien Gros
René Chénier

Made through the French
Program's filmmaker-in
Residence Program
Directrice Générale
Monique Simard

Executive Producer
René Chénier

Ora,
2011
Writer Director
Produced by the National Film Board of Canada.
Prizes, nominations and selections
Official Selection at the Toronto International Film Festival (TIFF) Laureate Canada's Top Ten Films of 2011.
Audience Award, Thessaloniki, Greece.
FIREBIRD PRIZE Jury’s Special Mention, Hong Kong International Film Festival.
Lumiere Award 2012, International 3D Society, Hollywood, CA.
Award for Stereography, Lodz 3D Image Festival Poland.
Best Experimental Film, 3D Stéreo media Liège, Belgium.

Ora is both a game changer and a trip into unknown territory. In the first film to use 3D thermal imaging, luminous bodies emerge from a single dividing cell. What ensues is akin to the first human steps: the discovery of the body and its relation to space. Choreographer José Navas and filmmaker Philippe Baylaucq create a cinematic sensation.

Dance on camera festival Lincoln Center, New York.

In terms of sheer novelty, it's hard to top ORA, an NFB-produced short that is the first film to fully exploit the visual possibilities of 3-D thermal imaging. What you see is entirely generated by the heat that emanates from the bodies of six dancers in motion. The luminescent result of this marriage of art and technology is best described as a 21st-century update of Pas de deux, the classic 1968 dance film by NBF icon Norman McLaren

Jason Anderson, The Toronto Star

Technically, this is the most futuristic, game-changing film at TIFF 2011. Baylaucq assembling a troupe of six muscular and elegant modern dancers, photographed them in darkness with 3D thermal imaging cameras. The cameras sense heat, not light, and the evolving patterns we see in each dancer's body are exhilarating, as well as scientifically interesting. Esoteric art and technology merge into mainstream entertainment. Like the famous Muybridge experiments with the earliest approximations of a motion picture camera (he showed a horse and a man in locomotion) ORA is a thrilling leap forward.

Bruce Kirkland, Toronto Sun.

Ora is a visual treat - modern dance choreography meets cinematic innovation of the highest order. It is the first time infrared thermal imaging technology has been used to shoot a complete film (the technology is strictly controlled and limited to military, medical, and scientific applications), and it is shot in 3D to boot. The resulting sensory experience is incredible.

Dave Robson, IMDB.

Not all movies are narrative. Some are designed to be works of art. At TIFF, the 15 minute Canadian dance film ORA was a stunning example of dance, cinema and music intersecting to create visual beauty. It is absolutely mesmerizing.

Paula Citron, The new Classical.

Making of

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Cinéaste et metteur en espace / Filmmaker Spacemaker